By J. Williams / Alan Bergman, Marilyn Bergman
Intro: ||:Amaj7/ / A6/ / |Amaj7/ / C6/ /:||
In the mAmaj7(13)oonlight Cmaj7(13)
When the shAmaj7(13)adows play Cmaj7(13)
When the thAmaj7ought of what could hF#m7appen
Takes your brG#m7eath away
C#7(b9) Sighs and whDmaj7(9)ispers
Quiet lBm7aughter in the G#m7b5air C#7(b9)
UnspCmaj7oken invitAm(maj7)ations everywhC#7(sus4)ere C#7 C6(9)
In the mAmaj7(13)oonlight Cmaj7(13)
All the wAmaj7(13)ords you say Cmaj7(13)
Make it rAmaj7(13)elatively F#m7easy
To be swG#m7ept away C#7(b9)
In the hDmaj7(9)alf light
Can we trBm7ust the way we fG#m7b5eel C#7(b9)
Can wCmaj7e be sure that Am(maj7)anything is rC#7(sus4)eal? C#7
Stars keep sG#m7b5ecrets as they wC#7(b9)ander indiscrEbm7etely
While the Gm7echoes of a sC7(b9)ong go drifting bFmaj7y
We must be cF#m7areful not to lEbm7b5ose our way complFm7(#5)etely
Or the mF#m7agic thF#m7/Eat we sDmaj7eek here
We cG#m7b5an't be sure will be hC#7(b9)ere Cmaj7
In the mAmaj7(13)orning Cmaj7(13)
With the mAmaj7(13)oon away Cmaj7(13)
And if Amaj7(13)in each other's F#m7arms
Is where we're mG#m7eant to stay C#7(b9)
In the lDmaj7(9)ove light
When our Bm7eyes have grown accDdim7ustomed tG7(b5)o the dAmaj7(#5)ay----lAmaj7ight Dm(maj7)
We'll sDm6ee what wA(add2)/C#aits for us to shDmaj7are
For A(add2)/C#all the things we've drDmaj7eamed of in the mBm7oonlight
WE7(9sus4)ill bE7(b9/13)e therG7(#11/13)e (then solo and bridge with the last verse)